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Eastlake: Man on a Mission

By Leon Castner, Ph.D

Although not as well known as other Victorian craftsman or even later turn of the century arts and crafts furniture makers like Gustav Stickley, Charles Eastlake made his mark in the world of design by publishing a book entitled "Hints on Household Taste." First published in England, it appeared in America in 1872. After seven consecutive printings, its styles had become popular and soon replaced the more elaborate and fanciful Victorian (even though it, too is considered Victorian).

Eastlake never actually had a shop nor was his prototypes factory produced. His insistence on a return to more Medieval lines, both due to simplicity and comfort, caught on for a few years but soon faded. This new style, which in architecture became known as "modern gothic," utilized incised patterns and simple turned moldings, instead of the previous generation's "lumpy" carvings" or rococo embellishments.

Most of us have seen or handled Eastlake furniture. It sometimes gets passed down from previous generations, mostly as square, linear (uncomfortable) chairs or tables. Much looks like it had an Oriental influence, which it did since the Aesthetic movement was just beginning. Cabinets or bookcases are very angular with designs usually routered or carved into the wood (spoon carving). The wood is usually plain with a dark stain, not the heavy walnut that was getting very expensive. Some pieces may be ebonized (coated black) or have a simple geometric parquet.

In spite of Eastlake's purpose of "improving taste in objects and modern manufacture," most of America was intent on following the crowd that bought cheaper, mass produced furniture, most of it manufactured in Grand Rapids, Michigan (there were 60 factories in 1890). Those that chose to follow Eastlake's advice, like Herter Brothers, provided elegant furniture for the elite.

Unfortunately, like many other things, the man with the mission ended up with a bad name. The Eastlake style has come to mean cheap, unadorned, uncomfortable furniture. The style, even in housing, has become tasteless and worn out. Only the very best examples command premium prices, despite the age.

Time will tell! Perhaps in a few years the style will return, if only in an adaptive manner. Perhaps the name Eastlake will be seen in a better light.